Dating a dallas arbiter fuzz face

Gives controlled fuzz with separate volume and fuzz level controls.

Easy connection between instrument and amplifier by "In" and "Out" Jacks. Distortion Unit gives controlled Fuzz with separate volume and Fuzz Level Controls.

I think that this pedal's longevity is due in part to its very simple design.

There are four resistors, three capacitors, two potentiometers, and two transistors...that's it.

The countries we ship to most often will have shipping rates and we are in the process of adding more shipping fees to the check out process.

Also note that for some items we are able to discount shipping to North America - continental USA and Canada. We use Royal Mail, UPS and DPD/Interlink - it depends on the item and destination as to which is the most economical.

This could explain why Pete went to that pedal first after using the Marshall Supa Fuzz in 1967–68.

(Pete had advised Hendrix about Marshall and Sound City amplifiers.) As noted, Pete had previously used a Marshall Supa Fuzz in 1967–68, and following his brief use of the Fuzz Face, would go on to use the Univox Super Fuzz, starting December 1968. 1968, Singer Bowl, New York, with Dallas-Arbiter Fuzz Face.

The capacitor from the wiper lug of the fuzz pot to ground was a 20F electrolytic with axial leads.

The Dunlop Fuzz Face is a replica of the original Dallas Arbiter fuzz face used in the 60's and 70's, and immortalized by Jimi Hendrix on his recordings and countless live shows.

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